导演:Alexander Kluge
主演:Hannelore Hoger Alexandra Kluge Edgar M. Böhlke
ThePowerofEmotionexplainsthatemotionisn’ttobeconfusedwithsentimentality.Emotionisancientandmorepower
ThePowerofEmotionexplainsthatemotionisn’ttobeconfusedwithsentimentality.Emotionisancientandmorepowerfulthananyartform.Thefilmlooksatyoungcoupleswhorunintodifficultiesastheytrytotranslatetheirexperiencesofloveintocleardecision-making.Awomanwhohasshotherhusbandprovidesajudgewithapuzzle.Thosewholovecanbringthedeadbacktolifebymeansofco-operation.That’sthefocusoftheopera,"ThePowerPlantofEmotions"andthe"Operaofthe20thCentury"cinema.AlexanderKluge:ThePowerofFeelingWhenIstartedworkingonThePowerofFeeling,Iwasnotinarationalstate.Ididnotsay,IhaveasubjectandnowIwillmakeafilmaboutit.InsteadIwasspellboundandobservedinmydirectsurroundings,forexample,howfeeling求爱ove.Ihavenotreallydealtwiththethemeofmymother’sdeathandthefactthatshewastheonewhotaughtme"howfeeling求爱ove."NorhaveIdealtwithhowshedied.Thatwasanentirepaletteoffeelings:"Allfeelingsbelieveinahappyend,"andeveryonebelievestacitlythattheywillliveforever:Theentirepaletteissomehowoptimistic,apositiveattitudetowardslifehavingbeenputontheagendaaslongasshewasyoung,aslongasherbodyheldout,fromonedaytothenextshecollapsed.Shejustsuddenlycollapsed,likeinanoperawheredisastertakesthestageinthefifthact.ItfeltasifIhadobservedanairraidoradisaster.ThefilmThePowerofFeelingisnotaboutfeelings,butrathertheirorganization:howtheycanbeorganizedbychance,throughoutsidefactors,murder,destiny;howtheyareorganized,howtheyencounterthefortunetheyareseeking.Whatisallthisorganizationoffeelingsabout?Generallyfeelingstendtobeadictatorship.Itisadictatorshipofthemoment.ThestrongfeelingIamhavingrightnowsuppressestheothers.Forthoughtsthiswouldnotbethecase.Onethoughtattractsotherslikeamagnet.Peoplethereforeneedaffirmationbyotherpeopletobesureabouttheirownfeelings(tocounteracttheacquisitionoftheirfeelingsthroughoutsideforces).Throughtheinteractionofmanypeople,forexample,inpublic,thevariousfeelingsalsohaveamagneticattractiontooneanotherjustlikethoughtsdo.Feelingscommunicatethroughtheirmanifestationinpublic.Thecinemaisthepublicseatoffeelingsinthe20thcentury.Theorganizationissetupthusly:Evensadfeelingshaveahappyoutcomeinthecinema.Itisaboutfindingcomfort:Inthe19thcenturytheoperahousewasthehometofeelings.Anoverwhelmingmajorityofoperashadatragicend.Youobservedavictim.Iamconvincedthatthereisamoreadventuresomecombination:Feelingsinboththeoperaandtraditionalcinemaarepowerlessinthefaceofdestiny’求爱ight.Inthe20thcenturyfeelingsbarricadedthemselvesbehindthiscomfort,inthe19thcenturytheyentrenchedthemselvesinthevalidityofthelethalseriousness.《《情感的力量》》很有创意的一部影片,剧情蛮感人得,有点人残志坚的感觉,特效影片各个方面都堪称精品, 电影一点也不拖沓,影片的布景设计极有创意,颇具未来感,故事情节,演员演技,画面音效,每一个都很棒,完全称得上是科幻电影的经典之作影评:1,影片在视效开发、美术、动画效果、角色开发、 视觉效果、灯光、摄影和音乐方面,制作人不遗余力地勾勒这四个世界的不同特征,用这些场景以加大角色之间的区别2,该片本身青春气息与犯罪氛围的另类杂糅,几乎是国产同题材电影无法企及的深度。3,电影由职场切入,深化到社会,再升华到人性,电影在这三个层面的表现上,是有步骤、有节奏的,营造了不错的代入感,让观众接受起来顺理成章。4,我不相信一见钟情,但是对你的感觉,我却是深信不疑的。我爱你,并不需要去很了解你,她们使的我心动,而你,却是让我动了心。5,电影巧妙而颇具黑色幽默的情节把传统意义的武侠电影进行了颠覆,使得该片成为了经典。
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